The Daily Tarheel

• 'Daughter from Hell' feels a little disconnected | The Daily Tarheel | July 31, 2026, 2:06 a.m.
Abrams seems to keep leaning into the folk-pop genre that defines her career, combining quiet guitars and high vocals with louder crescendos and increasingly dramatic imagery. While I enjoyed the instrumentation, there was a definite disconnect to her lyricism throughout the album.

• 'Daughter from Hell' feels a little disconnected | The Daily Tarheel | July 31, 2026, 2:06 a.m.
Abrams seems to keep leaning into the folk-pop genre that defines her career, combining quiet guitars and high vocals with louder crescendos and increasingly dramatic imagery. While I enjoyed the instrumentation, there was a definite disconnect to her lyricism throughout the album.

• 'Daughter from Hell' feels a little disconnected | The Daily Tarheel | July 31, 2026, 2:06 a.m.
Abrams seems to keep leaning into the folk-pop genre that defines her career, combining quiet guitars and high vocals with louder crescendos and increasingly dramatic imagery. While I enjoyed the instrumentation, there was a definite disconnect to her lyricism throughout the album.

• Review: Ethel Cain's 'Perverts' is as disorienting as it is impressive | The Daily Tarheel
Lifestyle writer Marisa Rosa reviews Ethel Cain's latest album.