Today's new articles

Sept. 25, 2026

  • Interpol’s “This Mirror Weighs a Ton” Album Review | Hellgate Lance
    • On Aug. 28, New York City post punk/alt rock band Interpol released their eighth studio album, This Mirror Weighs a Ton. It is their first album since 2022’s The Other Side of Make-Believe, and along with it they are kicking off another extended round of touring after a break in 2025. In early June, Interpol...
  • PRIMA: ADÉLA - Album Review — Tastemakers Music Magazine | tastemakers
    • Meaning both first –– for ADÉLA’s first album –– and the Prima ballerina ––the highest ranking soloist –– /PRIMA/ is dedicated to the parts of ADÉLA that anchor her performance. Though it's not a performance at all, in fact, ADÉLA’s ambition is more than palpable, it's infectiously exhilarating.
  • Orville Peck: Mule | Spectrum Culture | Sept. 25, 2026, 5:05 a.m.
    • A punchy collection of country songs overflowing with morose stories, emotional growth and electric music.
  • Kamelot - Dark Asylum | Metal Riffcrusher | Sept. 25, 2026, midnight
    • Kamelot deliver a lush, symphonic odyssey that feels more like a gilded cage than a journey of liberation.
  • “The Singer in My Band”: A reinvention that (mostly) works | The Mac Weekly | Sept. 24, 2026, 8:18 p.m.
    • It’s hard to divorce This is Lorelei’s new album, “The Singer in My Band,” from the reception of 2024’s “Box for Buddy, Box for Star.” After all, “Box for Buddy” is arguably the album that put Water From Your Eyes colead Nate Amos’ side project on the map, propelling him to indie stardom and drawing...
  • Lizzy McAlpine releases fourth album, 'Angel' | Hillsdale Collegian | Sept. 24, 2026, 12:59 p.m.
    • Singer-songwriter Lizzy McAlpine released her newest album, “Angel,” a love letter to human connection and folk icons of yesteryear, Sept. 18. McAlpine began releasing music on Soundcloud during the early part of the lockdown, where a niche subset admired her vocal ability and natural talent for writing lyrics. In August of 2020, she released her...
  • Lizzy McAlpine's newest album plays to her strengths | The Ramapo News | Sept. 24, 2026, 4:06 a.m.
    • If there was an award for listening to the most Lizzy McAlpine across a two-month period, I think I would’ve won it a few summers ago. Her third album, “Older (and Wiser),” is absolute perfection in my eyes and will forever remain one of my favorite albums of all time. I thought nothing could ever c
  • ‘c’ is Lucy Bedroque’s Monolith of Rage | thehoya.com | Sept. 24, 2026, 1:08 a.m.
    • The concept of “rage” rap has been the subject of discourse since its popularization and namesake etymology, Trippie Redd and Playboi Carti’s “I Miss the Rage,” which became iconic due to its whirring…
  • PALACE – ” Ox “ | The Fat Angel Sings | Sept. 20, 2026, 4:22 p.m.
    • Palace return with their most open-hearted collection yet, “Ox.” Palace’s fifth album, “Ox,” finds beauty and wisdom in the most human of revelations watching a child encoun…
  • Palace keert terug met open album Ox | Nieuwste Hits | Sept. 20, 2026, 12:24 p.m.
    • Palace brengt met Ox hun meest open album uit. De band bezingt kleine, menselijke momenten van verwondering en dankbaarheid.
  • Tove Lo Estrus album review | Culled Culture | Sept. 19, 2026, 1:46 p.m.
    • Tove Lo returns with one of her most honest, lyrically unabashed albums yet: Estrus.
  • ORVILLE PECK 'MULE' REVIEW | Milky | Sept. 18, 2026, 5:44 a.m.
    • Ultimately, Mule is about what happens when the mythology becomes impossible to maintain on its own. Peck doesn't throw the mythology away. He turns it inward. The result is an album that can be bruising without becoming bleak, sincere without losing its sense of humour and personal without sacrificing the theatrical scale that makes Orville Peck who he is. It is a record about falling apart, but more importantly, it is about discovering what remains when you finally start putting yourself...
  • Ellie Goulding: I Know Too Much | Spectrum Culture | Sept. 17, 2026, 5:03 a.m.
    • Goulding shows an admirable willingness to document the unglamorous debris of marital collapse and indict her own complicity in the fallout. Yet the record remains caught between confessional courage and commercial safety.

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