baylorlariat.com

• Review: ‘(((((ultraSOUND)))))’ marks a quiet, moody comeback for The Neighbourhood - The Baylor Lariat | baylorlariat.com | Nov. 20, 2025, 4:14 a.m.
This isn’t just a rehash of what made them popular in their black-and-white Tumblr-era days; it's a more introspective, textured work that leans into their strengths while pushing into new emotional and sonic territory.

• Review: ‘(((((ultraSOUND)))))’ marks a quiet, moody comeback for The Neighbourhood - The Baylor Lariat | baylorlariat.com | Nov. 20, 2025, 4:14 a.m.
This isn’t just a rehash of what made them popular in their black-and-white Tumblr-era days; it's a more introspective, textured work that leans into their strengths while pushing into new emotional and sonic territory.

• Review: Ethel Cain’s ‘Perverts’ channels pain, shame and ambiance - The Baylor Lariat | baylorlariat.com | Jan. 22, 2025, 4:36 a.m.
Much like the rest of Cain’s discography, “Perverts” isn’t exactly a casual listen. It’s not meant to be consumed while doing the dishes, walking on the treadmill or going grocery shopping. It’s one of those albums you listen to in a dark room, in silence, maybe curled up in bed. It demands undivided attention, solemnity respect.